GeneralMartin's Close TWR

 

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 From:  william (WILLIAMA)  
 To:  william (WILLIAMA)     
42531.10 In reply to 42531.9 
Watched it last night. Quite nicely done and everybody acted well, especially Peter Capaldi as the prosecutor. That said, it didn't have a single moment that I could honestly describe as chilling - or even a bit eerie for that matter. The script looks to be based on the text and where there are additions, such as Martin claiming that there were thirteen jurors, these did nothing to improve matters. The story itself is not one of James' scarier offerings and I suspect for best effect needs to be read aloud to a small gathering suitably mellowed by much passing of the Port leftwards.

Slightly daft bit of directing: one of the witnesses, William Reddaway, is described in James' text as a child of around 13. Gatiss substitutes a black actor (who is 32) - with a thin moustache. No issue with the substitution, but totally bewildered as to why the script was not suitably modified. The judge and prosecutor address him throughout as "child" cautioning him not to be "frightened" which sounds ridiculous and only draws attention to Gatiss's liberal pretensions. Perhaps that's the point.
never trust a man in a blue trench coat, never drive a car when you're dead
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 From:  william (WILLIAMA)  
 To:  william (WILLIAMA)     
42531.11 In reply to 42531.10 
As a footnote to that Gatiss actor substitution: turns out it's Fisayo Akinade, a mate of Russell T Davies and I immediately suspect the hand of the Gatiss/Davies/Moffatt triumverate. I suppose we're lucky it didn't transform into a quasi-Dr Who episode halfway through as the BBC Dracula mini-series appears to be doing (I haven't yet seen the conclusion).
never trust a man in a blue trench coat, never drive a car when you're dead
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 From:  Manthorp   
 To:  william (WILLIAMA)     
42531.12 In reply to 42531.10 
I agree about the lack of scariness of the adaptation: though for me, Martin's Close is one of James' scarier tales. The two key scares - the ghost of Ann Clark scuttling out of the linen closet, and the 'boy' seeing her first emerge from the pond - both really work for me in the text version. Indeed, I'd rate the story in the top five James tales; which proves, should it need to be proven, that fear is as much in the eyes of the beholder as beauty is alleged to be.

Regarding the casting of Reddaway, I also agree. I've no beef with colour-blind casting: I think it's a positive thing to do, and more than desirable - a responsibility - for a public service broadcaster. However, age-blind casting is another matter completely. When he first appeared, I thought Gatiss was doing a clever and the character was going to be referred to by the racist and historically plausible 'boy' throughout. But as you say, he was called 'child' interchangeably, which I've never seen used as 'boy' was on black and Asian people in the past - to denote a service role and/or to patronise. I'm pretty sure there were other references to his youth, too.

"We all have flaws, and mine is being wicked."
James Thurber, The Thirteen Clocks 1951
 
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