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 From:  Manthorp  
 To:  CHYRON (DSMITHHFX)      
42097.14 In reply to 42097.1 
I loved it.  My mum - a discerning art house-filmgoer at 84 - hated it for the violence, which she always hates.

It was one of those classic recursive paeons of love to cinema by a director utterly consumed by the form.  The attention to period art direction was meticulous, even if the script & acting didn't quite follow suit. The ending was inevitable from within the first hour.

FWR: Free Willy with willy.

"We all have flaws, and mine is being wicked."
James Thurber, The Thirteen Clocks 1951
 
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 From:  william (WILLIAMA)  
 To:  Manthorp     
42097.15 In reply to 42097.14 
I kind of agree. My issue is that I think that in his consumption of and by the form, he lost track of the script and acting far too much.
never trust a man in a blue trench coat, never drive a car when you're dead
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 From:  CHYRON (DSMITHHFX)   
 To:  Manthorp     
42097.16 In reply to 42097.14 
I thought the ending revelation where, it transpired, the heroine has gills, which she herself hadn't known was masterfully subtle.
“Canada has been taking advantage of the niceness of the United States”
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 From:  Manthorp  
 To:  CHYRON (DSMITHHFX)      
42097.17 In reply to 42097.16 
I hope that was written in blue ink, Smiffy, cos I had it taped from the first mention of the scar.  I mean, hell, the movie starts with her wanking in a bath...

"We all have flaws, and mine is being wicked."
James Thurber, The Thirteen Clocks 1951
 
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