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A Field in England TWR
From: william (WILLIAMA)
21 Sep 2017 20:45
To: CHYRON (DSMITHHFX)
12 of 15
42021.12
In reply to
42021.11
That's true. Usually when a production goes for very 'spare' effects - it fails. Here we had some not-very-big pyrotechnics, a bit of smoke, and a soundtrack of cries. All of this was set against, or behind, an odd old-fashioned style of overgrown hedge. The result was bizarre. I never for a moment doubted that the cast was at risk from a battle somewhere. At the same time it all happened in a world strangely disconnected from them, behind the hedge. Very nicely done.
From: Manthorp
25 Sep 2017 19:04
To: william (WILLIAMA)
13 of 15
42021.13
In reply to
42021.10
The cultural predecessors are O.L.D. telly productions: Penda's Fen (especially) and Robin Redbreast, plus arguably A Photograph. I'm resolutely pushing British Eerie as the collective term of choice.
EDITED: 25 Sep 2017 19:09 by MANTHORP
From: CHYRON (DSMITHHFX)
25 Sep 2017 21:32
To: Manthorp
14 of 15
42021.14
In reply to
42021.13
Would Neil Gaiman's
The Ocean At The End Of The Lane
(which I just finished reading) fit?
From: Manthorp
26 Sep 2017 12:36
To: CHYRON (DSMITHHFX)
15 of 15
42021.15
In reply to
42021.14
I haven't read it: I'll give it a go.